English  |  正體中文  |  简体中文  |  Items with full text/Total items : 90453/105671 (86%)
Visitors : 15343580      Online Users : 168
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version

    Please use this identifier to cite or link to this item: http://asiair.asia.edu.tw/ir/handle/310904400/107725

    Title: Research for 「Mind-Image Photography」
    Contributors: 視覺傳達設計學系
    Keywords: Photography;Mind-Image Photography
    Date: 2017
    Issue Date: 2017-09-15 14:36:17 (UTC+8)
    Publisher: 亞洲大學
    Abstract: This study will be discussed in terms of literature analysis, deconstruction of works and practical creation as the main research, the literature is focused on the text of Nan Huaijin, Yu Lian, Wang Banghsiung and Ho Fabee for the Laozi’s “Tao De Ching” thirty-fifth chapter (Hold Great Image) in the “Dull” can be interpreted as several categories ; As well as the discussion of “Absurdism” in Sartre and Camus “Existentialism” ; Define what is meant by “Mind-Image Photography” , and thus summed up the focus from the literature. This study focuses on the relationship between “Aesthetics of Dull” and “Existentialism” and “Mind-Image Photography”.
    Deconstruction of the works proposed Abbas, Shoji Ueda, Chang Chaotang, Ko Sichi, Quo Yingsheng and Chen Shunchu six photographers works. To discuss the relationship between the characteristics of these works and the different forms of “Dull” and “Existentialism” ?
    This study will be re-discuss the researchers in the past “Mind-Image Photography” works of the context and then according to “Mind-Image photography” summarized the focus after the reorganization of the creation of a number of new works.
    Finally, the experience of this study is as follows:
    1. For the creator “Image” is not just “Body”, ”Image” is not just an “Visible Image”.But beyond the naked eye to see, through the inner thinking and with the external scene between the mutual respect of the “Dialogue” to form a specific creative presentation.
    2. Do not you have to go to photography? What object to face or what subject matter in mind to create, one category of “Aesthetics of Dull” is “Useless” and “Present” in “Existentialism”, they are all in the encouragement of photographers “Anytime , Anywhere” can be creative.
    3.”Mind-Image Photography” is through the appearance of things, highlighting the feelings of the author and then form a new visual thinking, sometimes it is difficult to use words to accurately describe, perhaps as the East-Jin Tao Yuanming in his “Drinking” the last paragraph written: There is a “True” and “Meaning” in this way, want to speak but forget the word.
    Appears in Collections:[視覺傳達設計學系] 博碩士論文

    Files in This Item:

    File Description SizeFormat

    All items in ASIAIR are protected by copyright, with all rights reserved.

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback